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Cartier - The Cartier Column exhibited in Basel | Planet FunctionsPush release
Alessandro Mendini. Reportage dans les ateliers Cartier.
Philippe Gontier/ Cartier, mars 2009
For your third consecutive 12 months, Cartier is supporting Artwork Basel, the international most famous creative reasonable. This exhibition is occurring from June 10th to 14th. This yr, Cartier is existing on the Art Collectors Lounge, in which we clearly show a mesterpiece created through the famed Italian architect-designer Alessandro Mendini for Cartier. This piece of artwork, scintillating column designed of gold and cherished stones, exclusive treasure made up of recycled stones that could no more be employed in jewelry, is ecological and stable, and will be dismantled, repared, recycled. Measuring nearly two,fifty meters, this stele of gold provides a 2nd life to thousand of pearls, engraved emeralds, sapphires, mandarin garnets, moonstones, chalcedonies and rubies. It was produced in Cartier Joaillerie workshops and essential more than 18 month of work.
The Cartier Column by Alessandro Mendini.
Claudia D. Lang/Cartier, 2009
Making a do the job of artwork using wonderful and valuable stones, a group manufactured with gems that could not be employed in classical jewelry since they happen to be pierced, dismounted and engraved; supplying a 2nd lifestyle to pearls, engraved emeralds, sapphires, mandarin garnets, moonstones, diamond paving, chalcedonies and rubies Cartier entrusted this creative mission into the renowned Italian architect-designer Alessandro Mendini, who offered his perform within the Fondation Cartier pour l'art contemporain in 2002 as element of the "Fragilisme" exhibition.The event and output of your "precious column" conceived by Mendini are entrusted to Cartier Joaillerie.These incredible gems, a true lapidary's handbook, had been categorised by class just before becoming encapsulated into crystal cylinders subsequently incorporated vertically within just pink-gold flutes. This column, two.thirty m significant, needed in excess of 18 months of labor, in the preliminary sketches on the closing challenge. In accordance with the concepts of Greco-Roman architecture, this ingenuous problem involved layering greater than seven blocks all-around a central axis. Topaz, citrine, peridot, emeralds: every one of the stones were being set into epoxy resin following eighty hrs of polymerisation.Exhibited to the very first time in the Artwork Basel exhibition, this "big jewel", mainly because it continues to be baptised by Mendini, is going to be displayed in an initial salon made specially for that celebration from the Mendini Ateliers.
Philippe Gontier/Cartier, mars 2009
The Cartier ColumnThe Cartier Column venture is so fantastic that it's no modern-day equivalent. I feel this could be the 1st time that an artist is commissioned to freely conceive an item x employing actually 1000's of beautiful and perfectly-cut gems. This sort of a profusion of huge jewels only existed inside the treasures of medieval churches and of kings and sultans as pieces of utmost rarity, relics or symbols of devotion and ostentation.But those times have considering that handed. Hence, when Cartier approached me and mentioned, "Do you see this large number of stones? We might like you to remodel them into an item x, one particular sublime jewel that reveals the essence of each and every of its personal gems, a symbol with the record and craftsmanship of Cartier," I was quickly defeat by a hurry of mixed emotions - pleasure, panic, and apprehension. I felt joy and delight on the prospect of creating and presenting a vast collection of your purest elements acknowledged to character (semi-precious and important stones). Yet I feared continuing with arrogance and presumption (the ultimate type of extra) and was stuffed together with the question that will seize even one of the most conscientious of designers when faced with these kinds of an strange and challenging undertaking. In today's cruel entire world, I felt I needed to develop an idealized image of utopian purity, one particular that might exchange spiritual devotion and also the ostentation of royal electric power by using a non-religious, summary, and religious treasure.I desired the viewer to forget for just one moment the folly and drama with the contemporary world and be struck from the purity of gems, pearls, and cherished stones, products of character that stand the exam of time. These are definitely miracles of God, modest constellations of perfection and sweetness commonly admired by itself or grouped collectively in smaller ornate compositions. In my object x, these are present through the 1000's, brought jointly in new sequences. The surprising amount of gemstones at my disposal along with the highly effective combos they inspire led me to base my design and style on the "neutral" kind to make sure that I could target all of my awareness and strength on experimenting using the play of light, reflections and colour about the precious stones. From below I created a 233 cm-high gold-plated cylinder - a column using a diameter of 45 cm with twenty vertical flutes
, every made up of an alignment of crystal tubes filled with stones and thoroughly positioned just one on top of the opposite inside a logical sequence.And thus object x was born, the "Cartier Column", a column with out limitations, a illustration of secular passion, a classification device for your world's most gorgeous minerals, a museum presenting just about every sort of cherished stone found in mother nature. Every single stone rises up in a very glass tube, like mercur y inside a thermometer recording a patient's temperature replica and rolex and watch
. From the situation of the "Cartier Column", the mineralogical fever is digital and obsessive. An analytical item, its alignment of treasured stones succeeds in conveying the force and religious magic of its own aesthetic illustration. It is actually a cylinder, a column that remembers a blurry and detached neo-classical memory, alien on the present day age, but even so a fresh creative existence. This column is the result of the abilities of Cartier 's workshop and jeweller y style and design university, replica omega gold seamaster watches
a powerful example of incredible craftsmanship. It's a vision, a mirage of unchanging but evanescent dots of sunshine multiplied by their own reflections during the golden flutes, an orderly constellation of glowing aspects and edges. This piece has become developed because the signal along with the image of unattainable purity.Alessandro Mendini
Philippe Gontier/Cartier, mars 2009
The "Cartier Column" by Alessandro MendiniTotal height: two.33 m - diameter: forty five cm - fat: 720 kgMaterials usedExterior floor:23.six kg of eighteen carat gold - colour: 4N pink gold140 flutesThickness: five tenthsHeight: 30 cmWidth: seven cmAverage weight for each flute: one hundred sixty five grammesBase: black graniteCover (upper part): bronze protected with five microns of gold329 tubes:(255 measuring ten cm - fifty seven measuring 20 cm - seventeen measuring 30 cm)Whole body weight of stones and pearls: 17,763.079 caratsDiamonds: sixty one caratsEmeralds: 920 caratsSapphires: 3,067 caratsRubies: one,293 caratsPearls: 9,865 caratsTourmaline: 695 caratsAquamarine: 75 caratsChalcedony: 831 caratsAmethysts: 336 caratsGarnets: 295 caratsMoonstone: 307 caratsCordierite: 17 carats
Bernard Fornas, President CEO of Cartier Worldwide and Alessandro Mendini.
Claudia D. Lang/Cartier, 2009
Alessandro Mendini - BiographyArchitect Alessandro Mendini was born in Milan in 1931. Hehas directed the publications Casabella, Modo and Domus.Monographs on his individual work and jobs with the Alchimia team happen to be published in different languages. He models objects, furnishings, concept interiors, paintings, installations and architecture. International collaborations contain Alessi, Philips, Cartier, Swatch, Hermes and Venini. Alessandro Mendini can be a design and impression specialist to various kinds of organizations, from Italy into the Much East. He's an honorary member in the Bezalel Academy of Arts and Design and style in Jerusalem. In 1979 and 1981, he was awarded the Compasso d'Oro of style and design, although in France he carries the title of Chevalier des Arts et des Lettres. He is the receiver of an honorary title in the Architectural League of new York and was awarded an honorary doctorate degree with the Milan Polytechnic. Within the Universität fur angewandte Kunst in Vienna, Mendini has worked like a professor of style. He's an honorary professor on the Educational Council on the Gangzhou Academy of Fine Arts in China.His do the job is featured in lots of museums and personal collections. Together with his brother Francesco Mendini, he opened the Atelier Mendini in Milan in 1989. Projects involve the Alessi manufacturing facility in Omegna, the brand new Olympic pool in Trieste, a number of subway stops in Naples, the refurbishment with the Naples Metropolis Hall, the Byblos Artwork Resort Villa Amista in Verona, Italy, the new workplaces of the Pattern Group in Vicenza, the renewal of 3 industrial regions with buildings for commerce, workplaces, apartment lodges and homes in Milan Bovisa, a tower in Hiroshima, Japan, the Groninger Museum in Holland, a district of Lugano, Switzerland, the Madsack office environment developing in Hanover, a commercial setting up in Lorrach, Germany together with other buildings in Europe and also the United states of america.Mendini as well as the Atelier are now coordinating a general public job in Korea that involves many properties: "Milan Layout City", which includes the brand new Incheon trade-show center and also a department of your Triennale di Milano.All of Mendini's several types of function - theoretic, created and design-oriented - are rooted within the crossroads between art, style and architecture.
Philippe Gontier /Cartier, 2009